Sainsbury Sculpture Grant 2016: looking forward to mid 2017 when I will undertake an intensive woodcarving course at the Geisler-Moroder Schnitz und Bildhauerschule in Tirol, Austria followed by self-directed research collecting natural and cultural materials, photographs and objects in iconic natural landscapes including the European Alps as well as the active volcanic territory in Southern Italy. Many thanks to the Madeline Olive Taylor estate and NAVA for their support.
Around the time at Fairfield City Museum & Gallery, November 2017: Around the time is a solo exhibition of material constellations, kinetic models and modest monuments to cosmic scale. Including hand-collage and mixed media sculpture, the work responds to the idea of the museum as a site and space for temporal speculation. Drawing on relations rather that representations, the exhibition looks to the likeness, alignments, chemistry and dynamics between cultural artefacts, natural forms and handmade objects as a relational tool for embodying a sense of magnitude and expansion.
NEVEREVEN at Visual Bulk, Hobart - Eloise Kirk, Amber Koroluk-Stephenson, Lisa Sammut and Leigh Rigozzi. NEVEREVEN is an aesthetic and conceptual response to fictionalized or abstracted place and its links with the sublime. The four artists have each make a work that responds to the human connection with utopia and the surreal formations these places take. Their primary focus is the aesthetic and poetic abstractions formed through these desires and the ethereal and suspended space between our existence and its potential dislocations and slippages. Opening 6pm 13th May 2017, the exhibition will be open by appointment from Sunday 14th - Saturday 20th May.
Heavenly Daze at Mailbox Art Space, Melbourne: Cameron Hibbs, Betra Fraval, Mark Lawrence Hoffman, Melanie Irwin, Sean Meilak, Lisa Sammut, Ben Thomas, Jake Treacy. Curated by Jake Treacy. 5 – 29 April 2017. Opening night: Thursday 6 April 2017. Heavenly Daze explores the omnipresence of universal proportions and balance in art, music and architecture. Drawing upon classical thinking and philosophy of the ancients, the artists in this exhibition are assembled for their contemporary sensibility to sacred geometry, divine architecture, platonic form, and the harmony of the spheres. Channelled across the 19 vitrines of Mailbox Art Space and echoing throughout the heritage space of Pawson House, sound, sculpture and poetry synthesise the invisible and manifest the metaphysical, drawing down lofty ideas and making concrete the maxim as above, so below. Heavenly Daze aims to initiate a new dialogue surrounding lost knowledge, and to attain arcane understanding through contemporary art making.
Image credit: Betra Fraval, Merge, Portal and Constellation, 2017, gouache on arches paper.
tapestries for galaxies at Verge Gallery, Sydney. Opening Wednesday 1 March 2017 at 6pm. Exhibition runs till 1 April. tapestries for galaxies is concerned with the knowledge of a distant cosmic reality - so present in imagination yet far removed from the grasp of our immediate senses. A panoramic constellation of celestial structures and handmade prop-like objects, the installation presents a speculative new cosmography, where the historical practice of diagrammatical illustrations of an interconnected universal whole takes material form. Drawing on relations rather than representations, tapestries for galaxies looks to the likeness, alignments, chemistry and mimesis between objects as a relational tool for embodying a sense of expansion. While questioning the tendency for automatic and singular perspectives, this exhibition expands on the artists’ current interest in the emergence of a social, cultural and philosophical cosmic anxiety, where the astronomic, ecologic and geologic spheres can be understood as a condition of our time.
Slide Night: The Archive as Constellation. Thursday 16 March, 6pm at Verge Gallery. Slide Night: The Archive as Constellation presents a series of short talks by specialists working across the fields of art, archaeology, history and natural sciences. Each presenter will discuss a sequence of images that focus in on some of the rare, unusual or revealing archival documents, photographs and collections they work with. Taking on the format of an open and informal gathering, the evening will allow for the possibility of new connections, relations and alignments between images and ideas to emerge. Introduction: Lisa Sammut, Artist. Presenters: Liz Mackinnon, Records Coordinator, Rare Books and Library Collections, Australian Museum; Nyree Morrison, Senior Archivist, The University of Sydney and Candace Richards, Acting Senior Curator, Nicholson Museum.
Image credit: Tempest Anderson,Volcanic dust Mount Soufriere. 1902. The Tempest Anderson Photographic Archive held at York Museums Trust.
World Material: group exhibition curated by Chloé Wolifson at Darren Knight Gallery. Including works by Connie Anthes, Rebecca Gallo, Eloise Kirk, Michelle Nikou, Lisa Sammut, Lotte Schwerdtfeger, Yasmin Smith and Louise Weaver. Exhibition opens on Saturday 28 January from 4 - 6pm and continues until 25 February. Gallery hours are Tuesday - Saturday 10am - 5pm.
World Material brings together the work of Australian artists whose works explore the spaces between strength and delicacy, between the material and the conceptual, between accident and intent, between the real and the fictional, and between representation and abstraction - embodying an exploration, recontextualisation, and sometimes deliberate obfuscation of natural, found and human-made materials. The exhibition is intended as an exploration of these tensions, suggesting totem-like resonances within and between the works of these artists.
MFA at UNSW Art & Design begins 2016. Taking intersections as a starting point: Celestial Architecture / Astro Archaeology / Geo Mythology. Grateful to receive an Australian Postgraduate Award for the next two years so I can focus on things and most excited for planned field trips to remote places close to home in the Australia+Asia+Pacific region including mountain observatories, desert landscapes and volcanic islands.
The Churchie National Emerging Art Prize. QUT Art Museum, Brisbane. Opening Friday 19 August 2016 6-8pm: I've been awarded the Sam Whiteley Memorial Commendation Prize for my installation for the time being (2015-16). Exhibition runs till 13 November 2016.
For the time being at Bus Projects. I've put together an A3 double-sided risograph print to accompany the exhibition. Available for $5 each, edition of 130. Printed at the Rizzeria, Sydney.
For the time being: at Bus Projects, Melbourne. Opening Wednesday 20 July 2016. Runs till 6 August 2016. For the time being aims to embody a sense of expansion and immediacy with the many versions and monuments of time: lunar, solar, historical, geological, astronomical and cosmic. Questioning the tendency for automatic and singular perspectives, this exhibition draws on principles and forms from the fields of theatre design, astro-archaeology and natural history. An entirely wall-based constellation of kinetic timepieces and wooden prop-like objects, it merges natural remnants and mineral formations with familiar cultural and observable representations of time unfolding. Some contain subtle moving elements that tick, rotate or swing. Purposeful objects such as clock faces with the energies and laws of nature, contrast against orbital mobile rocks, planetary movements and stellar transitions.
This project has benefited from an Arts & Design Grant courtesy of Arc @ UNSW Limited
Firstdraft Auction 2016: 6 - 9pm Friday 1 July at Firstdraft 13-17 Riley Street, Woolloomooloo. I've donated a small work that will be up for silent auction. Local time (2016) Oak disk, digital print on ply, sandpaper, gold & silver thread.
As if light could be translated: at Firstdraft. Curated by Samantha Williams and Annika Kristensen. Opening: 6-8pm Wednesday 4 November 2015. Runs till 27 November. Firstdraft 13-17 Riley Street, Woolloomooloo. 'As if light could be translated’ brings together a group of artists who are interested in ideas of the universe, astrology, constellations, space, distance and the science of stars. In lieu of a curatorial rationale, we have borrowed the words of poet Louis MacNeice, whose description of ‘holes, punched in the sky’, recalls the glorious wonder of grappling the infinitude of the universe and the incomprehensible passage of time required to translate light from the stars.
Forty-two years ago (to me if to no one else
The number is of some interest) it was a brilliant starry night
And the westward train was empty and had no corridors
So darting from side to side I could catch the unwonted sight
Of those almost intolerably bright
Holes, punched in the sky, which excited me partly because
Of their Latin names and partly because I had read in the textbooks
How very far off they were, it seemed their light
Had left them (some at least) long years before I was.
And this remembering now I mark that what
Light was leaving some of them at least then,
Forty-two years ago, will never arrive
In time for me to catch it, which light when
It does get here may find that there is not
Anyone left alive
To run from side to side in a late night train
Admiring it and adding noughts in vain.
- Louis MacNeice
Image: Ash Kilmartin, Artefact and Letter, 2015 (still), single-channel HD digital video, 16:9, colour, silent, 12 minutes. Courtesy the artist.
every now and then: solo exhibition at Firstdraft. Opening: 6-8pm Wednesday 2 September 2015. Runs till 25 September. Firstdraft 13-17 Riley Street, Woolloomooloo. Every now and then began with the romantic notion that all of natural and cultural history is an epic panorama, embracing the present, past and the future in continuum. A constellation of prop-like objects, this work merges natural remnants, mineral formations, tectonic forces and planetary movements with cultural and observable representations of time unfolding. A vision of magnitude in dioramic scale, every now and then considers and seeks closeness with the many versions and monuments of time: lunar, solar, geological, astronomical and cosmic.
Brand X Visual Arts Studio Residency: a 6 month residency April - October 2015 where I'll be working on a new project titled every now and then.
ANIMAL/MINERAL/PHYSICAL/SPIRITUAL: at the Bearded Tit, Redfern. Curated by Chloé Wolifson. Featuring the work of Rebecca Gallo, Sarah Goffman, Lisa Sammut + Lotte Schwerdfeger in collaboration with Louise Meuwissen. OPENING NIGHT: Monday 31 August 2015 from 6-8pm SHOW CONTINUES: until 10 October 2015.
Imagine making sense of some of the most confusing song lyrics of all time ('Drop the monkey, smell my perfume...')? Curator-in-residence Chloé Wolifson does just that with ANIMAL/MINERAL/PHYSICAL/SPIRITUAL: transforming Joan Armatrading's iconic track into a paean for 5 female artists who are themselves bower birds of happenstance. This month, the Bearded Tit becomes the staging post for the fetishisation of found, organic and man-made materials that have been recontentextualised, hoarded or arranged into strange new forms. In our STREETSPACE, Lisa Sammut has installed a celestial sundial alongside Rebecca Gallo's desert tide accumulations and geo-time paste-ups in THE LANEWAY. Inside, you'll find Sarah Goffman's collection of shampoo bottles paying soapy homage to female artists she admires in our CURIOSITY CABINET, while Lotte Schwerdfeger and Louise Meuwissen collaboratively riff off taffeta and wire to create a kaleidoscopic wall installation in THE SALON. And on our TAXIDERMY T.V., a family assortment of house- and hand-made videos by the artists top off the collection. Turns out it doesn't matter what the words are if the rhythm makes you feel good.
OBJECTIFYING ELSEWHERE: My work the new moon is included in this exhibition down in Melbourne. Opening: 12th August, 6-8pm. Exhibition dates: 13th August - 4th September. Kate Beckingham, Brett Breedon, Rachel Schenberg, Lisa Sammut, Kai Wasikowski. Curated by Luke Letourneau. SEVENTH Gallery 155 Gertrude St, Fitzroy.
‘Objectifying Elsewhere’ makes visible our relationship to the intangible. Through sculpture, motorized objects, photography, lenticular imagery and sound the artists present objects in dialogue with perception, their surrounding space and their own materiality. By playing with these material and perceptual boundaries the exhibition call attention to the spectacle of spectatorship.
Hazelhurst Art on Paper: My video work you are sensible is a finalist in this years award. The exhibition will be open 30 May - 26 July at Hazelhurst Regional Gallery & Arts Centre.
Firstdraft Auction 2015: 6 - 9pm Friday 31 July at Firstdraft 13-17 Riley Street, Woolloomooloo. My work the old moon will be up for silent auction.
Island Salon at Underbelly Arts Festival: 1 & 2 August 2015 at Cockatoo Island, Sydney. Curated by Sophie Kitson, Angela Garrick & Danielle Zorbas. For the festival I have collaborated with Katherine Corcoran on a video work titled so called absence.
Created by a truly interdisciplinary group of filmmakers, artists and curators, Island Salon sets it sights on developing a new underbelly of creative cinema among female artists. Island Salon features an exhaustive array of artists working across a broad spectrum in an immersive, island-inspired cinema installation. This intimate Festival-within-a-festival celebrates women in cinema as a thriving yet underrepresented community. Be your own island; choose between a dedicated array of experimental cinematic works and discover what resonates with you in this meandering cinema.
Specific Gravity: Curated by Guy Louden at Moana Project Space, opening 6:30pm 5 June 2015, exhibition runs till 28 June, MOANA PROJECT SPACE, 1F 618 HAY ST, PERTH WA. The exhibition will include my work: gravity II (2015). Andrew and David Wood (WA), Emma Hamilton (VIC), Lisa Sammut (NSW), Oliver Hull (WA), Saskia Doherty (VIC), and Simon Finn (VIC).
Specific Gravity presents a body of sculpture, drawing, image and video works that show the way big indefinite things can be embedded in small hard things. 'Specific Gravity', a scientific term, is a way of measuring the density of one substance in relation to another. In this exhibition, artists explore the complex interdependencies of substance in natural phenomena and history. They consider the relationship between the micro and the macro, the graspable and the nebulous, the mundane earthbound and the cosmological universal.
Forever is an optimistic view: Kylie Banyard / Katherine Corcoran / Jana Hawkins-Andersen / Eloise Kirk / Lisa Sammut at Archive_, 5 Eliza Street Newtown
OPENING 6-8PM WEDNESDAY 15 APRIL 2015. RUNS TILL 2 MAY.
Forever is an optimistic view brings together the work of a group of eternal optimists. Despite the impossibility of being forever and everywhere, this project asks the artist to go on and try anyway, exploring alternative material certainties for what often lies just beyond our reach. Seeking form for the formless, where perceived limitations are just the beginning. This project will comprise of two components: an exhibition and a small limited-edition reader. The reader will act as support material for the works included in the exhibition and will be available on opening night. Taking a closer look at where these ideas meet, cross and/or rebound, it will include a small collection of texts+diagrams+images contributed by each of the artists involved.
Image: forever is an optimistic view reader, edition of 83
107 Projects Silent Auction Fundraiser: 107 Redfern Street Redfern, 6-8pm Wednesday 1 April 2015 - so dear (2014) hand-collage photographs of sky at dawn and dusk, 5 x 6.5 cm (x2)